Categories
The Victorians

The Overlooked Fragrance Culture of the Victorians

First – a quick quiz…true or false?

  • Victorians didn’t use a lot of perfume.
  • Perfume was about vanity, nothing else.
  • Perfume was only for the wealthy.
  • Strong perfume was fashionable.
  • Working-class people didn’t care about how they smelled.

All the above statements are false.

So, let me explain a little more.

We often have an extreme idea of the Victorians as staid, stiff-upper lipped gentlemen or dirty street urchins. While these stereotypes existed – and often make for great storytelling – the Victorians enjoyed the pleasures of life more than we tend to think, perfumes included.

The royal precedent

Full immersion bathing was less frequent than today, but Victorians were very concerned with cleanliness. Daily washing of hands, face and body with cloths was common. Scented waters were widely used to freshen the skin and clothing between washes.

Typical fragrances were delicate florals – violet, rose, jasmine – to name a few. Several high-end perfume houses were established during this era – Floris London and Penhaligon’s, for example.

Queen Victoria had a surprisingly important influence on the spread of perfume and personal grooming. Despite the idea we often have of Victorians being prudish and anti-vanity, Victoria enjoyed fragrance and helped normalise perfume use across society, She had a liking for rose, orange blossom, lavender and violet, and a royal warrant could turn a perfume into an overnight success.

Fontaine Limited, Public domain, via Wikimedia Commons

The house of Creed – another distinguished perfume house that still exists today – created a bespoke scent for Victoria called ” Fleurs de Bulgarie” with an emphasis on rose. Sadly, this is no longer available today, but where Queen V went, everyone else followed, even if it was only a cheaper version.

Antique decorative perfume bottle with intricate gold filigree and purple glass
An antique ornate perfume bottle labeled ‘Parfum de la Couronne’

The less well-off

Victoria came to the throne in 1837 at only 18 years old. During her reign:

  • mass manufacturing expanded
  • railways transformed distribution
  • department stores grew
  • branded consumer goods became fashionable

Perfume sales benefited enormously from all these factors. Their influence filtered down to the middle classes and working classes and gave a touch of luxury to the less well-heeled. In many ways, Victorian perfume culture was not so different from today’s “affordable luxury” market. Just as modern shoppers treat themselves to a favourite body spray, scented candle or designer-inspired perfume dupe, Victorian consumers often bought small, inexpensive scented items that allowed them to enjoy a hint of elegance without spending a fortune.

Working-class women regularly used scented handkerchiefs, perfumed soap, hair pomade, and sachets to perfume clothing and drawers. On offer for men were hair tonics, pomades and shaving products – often the barber would apply scent after a shave.

Newspapers and magazines promoted affordable fragrances, scented soaps and beauty preparations. This helped create the idea that fragrance was part of a daily routine, not just an aristocratic indulgence.

Modern advertising still uses many of the same ideas. Perfume today is rarely marketed simply due to the smell – it is sold as confidence, attractiveness, sophistication or self-care. Victorian advertisers were already doing something remarkably similar over 150 years ago.

Perfumes and Miasmas

An interesting Victorian belief was that pleasant smells could actually protect health. Before germ theory became fully accepted, many people believed disease spread through “miasmas” – bad air or foul smells.

As a result, pleasant scents were often viewed as healthy or protective. Lavender, herbs such as thyme or rosemary, and floral waters were believed to purify the air.

Victorian industrial street with pedestrians, horse carriages, and factory smoke
A somber industrial-era street bustling with horse-drawn carriages and pedestrians amid smoke and fog

Ironically, while we now understand that disease is caused by germs rather than “bad air,” many people still associate certain scents with cleanliness and wellbeing. Lavender sprays for sleep, eucalyptus oils during winter illnesses and “fresh linen” cleaning products all show that fragrance remains psychologically linked to our health and comfort.

Practicality

Victorian cities could smell dreadful. Besides unregulated industries, factories and smoke pollution, there was also overcrowded housing, horse manure in the streets and poor drainage. Perfume and scented products also had a practical purpose in that it masked unpleasant odours. Not so different from our modern-day deoderants and body sprays.

Lavender, rose, violet, bergamot and lemon verbena were popular. Lavender water was especially common because it was relatively inexpensive, strongly associated with freshness and cleanliness and therefor found everywhere in Victorian England.

This meant scent was associated not only with beauty, but also with:

  • health
  • cleanliness
  • safety

But for the working classes, smelling pleasant had even more significance – it conveyed self-respect, cleanliness, morality and social aspiration.

Scent and Respectability

Victorian society placed enormous importance on appearing “respectable.”

For the working classes, smelling pleasant could help convey:

  • cleanliness
  • self-respect
  • morality
  • femininity
  • social aspiration

A factory girl or servant might not own expensive jewellery, but a dab of scent or scented soap could provide a small feeling of refinement and dignity. This was especially important because the Victorian middle and upper classes often unfairly associated bad smells with moral failings or poverty itself.

Even today, many people describe perfume as emotional armour – something that provides confidence before a difficult day, an important meeting or a social occasion. Victorians may not have used that phrase, but they clearly understood the feeling.

At the other end of the scale, wearing too much perfume or wearing a heady, exotic scent was perceived to be unsuitable, or even immoral. Heavy animalic scents popular in parts of 18th-century Europe became less fashionable, partly because Victorian ideals increasingly linked femininity with freshness, delicacy and purity.

The Victorians were also quite obsessed with purity, morality and the symbolic language of flowers – for more info see https://english-stuff.com/2023/09/15/the-language-of-flowers/

In short….

Victorian-era ornate pitcher and basin with toiletry items
An elegant Victorian-style toiletry set arranged on a wooden dresser

So Victorian life was probably far more fragrant than modern stereotypes suggest. While fine perfumes remained symbols of wealth, Victorian fragrance culture reached far beyond the aristocracy.

For working-class men and women, scent offered practicality, dignity, comfort and a small touch of luxury in often difficult lives. In many ways, our relationship with fragrance today – whether it’s a designer perfume, a favourite shampoo or a comforting room scent – is not quite as different from the Victorians’ as we might imagine.

Which scents instantly make you feel comforted, nostalgic or at home?

Categories
The Victorians

The language of flowers

Photo by Karolina Grabowska on Pexels.com

Victorian society

The Victorian era had very strict social norms that are alien to the world we live in today. Displays of emotion were frowned upon in public. Women were expected to stay chaste and innocent before marriage and had chaperones to ensure they did not breach social etiquette. Couples in romantic relationships were not given much privacy – they would communicate via handwritten letters or go on walks to be able to spend time alone. However, despite social codes of behaviour and respectability, people were still, well, people, and felt the same range of emotions that we can express freely today.

Floriography

Bearing in mind the restrictions of Victorian etiquette, it might not have been easy to approach your love interest, let alone hold a conversation. So messages in code were sent using flowers. Floriography – the language of flowers – was not limited to romance, flowers were also sent as a gift of gratitude or friendship, but it was commonly used to convey romantic concepts. Floriography peaked in popularity in Britain as well as France and the U.S. during the Victorian era.

Flowers and their special meanings allowed individuals to express their feelings discreetly in a world of propriety where direct expression of emotion was frowned upon in public.

Floral dictionaries

A Floral Dictionary from 1877
Internet Archive Book Images, No restrictions, via Wikimedia Commons

Coincidentally, this was also an era when there was a burgeoning interest in botany, and new publications described the different characteristics of flowers and plants in detail. Floriography was around long before the Victorian age and attributing specific meanings to flowers had been seen before in other periods and cultures – in Japan, Ottoman Turkey and the Hebrew Bible, for example.

But back to the Victorian era. In this period, florists saw their businesses boom, alongside the creation of floral dictionaries, like the one shown above. One of the most famous was The Language of Flowers by Kate Greenaway, published in 1884, and shown below. This book is actually still on sale on the Amazon website today.

There were several dictionaries of this type by the beginning of the 1900s, so often the flowers were a symbol for more than one concept. An anemone, for example, could mean hopeless love, or anticipation. A combination of flowers could convey a more complex message, and the arrangement of the flowers was also significant. The intended message could be changed by just a small variation in the bouquet. It all seems intriguing and kind of fun. No wonder the floral dictionaries were flying off the shelves.

By Kate Greenaway – Projekt Gutenberg, Public Domain, https://commons.wikimedia.org/w/index.php?curid=35627080

Floral Meanings

The flowers were grown in English gardens so were generally seasonal – roses, daffodils, chrysanthemums and delphiniums were popular. Roses expressed the idea of love but its colour added nuance to its significance. Daffodils could mean prosperity, loyalty or new beginnings. Chrysanthemums expressed friendship, and delphiniums dignity and rebirth. Sweet pea flowers were often chosen to show gratitude for hospitality. Confused? It’s not hard to see why flower dictionaries were popular – the interpretation of a Victorian bouquet was possibly not a simple task. The images below convey more ideas the flower sender might wish to express.

A Victorian postcard showing flower language. Source unknown.
https://www.flowersforeveryone.com.au/images/wp-content/uploads/2014/04/flower_ephemera_language_3.jpg

It was also meaningful where the recipient placed or wore the flowers after their delivery. To quote J.B. Meadow:

A woman also had to be pretty precise about where she wore flowers. Say, for instance, a suitor had sent her a tussie-mussie (a.k.a. nosegay). If she pinned it to the ‘cleavage of bosom’, that would be bad news for him, since that signified friendship. Ah, but if she pinned it over her heart, ‘That was an unambiguous declaration of love’.

The colours of the chosen flowers were also imbued with meaning.

Red – passion, devotion

Yellow – affection, fondness

Blue – loyalty, truth, dignity

White – purity, innocence

Pink – appreciation, elegance

Orange- enthusiasm, good wishes

Decline of Floriography

In the 1900s, as society gradually began to relax its strict rules of social etiquette and with advances in technology which improved communication, the need for flower messages began to disappear. With the start of World War One, the laborious process of cultivating the flowers was abandoned as other priorities came to the fore.

Some of the strongest associations with flowers have stayed with us until today – red roses still signify passion, poppies are a symbol of those lost at war, and lilies represent purity.

And a gift of flowers is still a beautiful present which generally conveys some type of sentiment from the sender – love, sympathy, congratulations, friendship. Maybe next time you send or receive flowers, spare a thought for the Victorians and their floral dictionaries.